{"title":"RECORDS","description":"","products":[{"product_id":"various-planet-love-vol-1-early-transmissions-1991-95","title":"Planet Love Vol. 1: Early Transmissions 1991-95","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eVARIOUS ARTISTS – PLANET LOVE: EARLY TRANSMISSIONS 1991-95\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving previously celebrated the deep and colourful world of late ‘80s and early ‘80s Italian house via the popular\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWelcome To Paradise\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecompilation series, Safe Trip has now turned its attention to the roots and formative years of trance music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlanet Love: Early Transmissions 1991-95\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshowcases the roots and formative years of trance via 13 loved-up, psychedelic, colourful, melodious and surprisingly varied dancefloor experiments from Europe, Australia and the United States.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe compilation includes pioneering proto-trance and early trance tracks from the likes of Hawke (AKA influential San Francisco producer Gavin Hardkiss), Epilson 9, Spooky, Oliver Lieb, Holy Ghost Inc, Morgan Wild (an outfit whose members included early NYC techno titan Damon Wild), Mijk van Dijk, Glam and Paul van Dyk.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePacked with must-have cuts, slept-on gems and sought-after rarities,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePlanet Love: Early Transmissions 1991-95\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emaintains the loved-up, listenable vibe of Welcome to Paradise while broadening its musical horizons. It is not a definitive history of trance music’s early years, but rather a colourful, life-affirming celebration of the varied strands that came together to create one of dance music’s most popular and enduring styles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SAFE-TRIP.ORG","offers":[{"title":"Default Title","offer_id":40210873909410,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/ST021-1LP-PlanetLove-Web-3000_1024x1024_ccaab177-aaa1-4b8e-86c6-aec3dcca1514.jpg?v=1718465929"},{"product_id":"on-high-alert-volume-1-lp","title":"On High Alert - Volume 1 (LP)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003eReal Bad Man is making music too, taking the same ethos of their clothing and bringing it to rap music. February 21st is the release date for ON HIGH ALERT, Real Bad Man’s first official release coming out through Tuff Kong Records in Italy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe five song vinyl album features a curated blend of new as well as iconic MC’s such as Roc Marciano, Kool Keith, Eto, Maxo, Masta Ace, Flee Lord, A.G., Pink Siifu, and Sadat X rapping over beats produced and arranged by REAL BAD MAN. The album is filled with the type of sample-heavy hard drum rap beats you’d want to hear your favorite MC’s to spit over. \u003cbr\u003e\u003cbr\u003eON HIGH ALERT is the first volume in a five volume series from Real Bad Man was released February 21 2020 on vinyl only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESSING INFO\u003cbr\u003e\u003c\/strong\u003eLimited edition of 50 numbered copies on pink vinyl w\/ OBI strip + giant 24\" x 35\" poster  \u003c\/p\u003e\n\u003cp\u003e*Please note that the vinyl in the picture is black, but the actual record is bright pink. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCATALOG# \u003c\/strong\u003e\u003cspan\u003eTKR124\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003eA1. C-Beam Dreams (feat. 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Real Mean (feat. Blu, Lojii \u0026amp; Posdnuos)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA2.Take Over (feat. Elcamino)\u003cbr\u003eA3. Flashback (feat. Flee Lord \u0026amp; Boldy James)\u003cbr\u003e\u003cbr\u003eB1. My Name Get Underlined (feat. Inspectah Deck \u0026amp; Eto)\u003cbr\u003eB2. Congratulate Me Now (feat. Willie The Kid)\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003ePLEASE NOTE\u003cbr\u003e\u003c\/strong\u003eVinyl previews are digital mock-ups, final product may differ from this preview.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Real Bad Man","offers":[{"title":"Default Title","offer_id":43164761161955,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_98a625fd-520b-44e0-9e85-4a937d7f6f79.webp?v=1658839464"},{"product_id":"real-bad-promo-vol-4","title":"Real Bad Promo Vol. 4","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eReal Bad Promo Volume 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eWith Alexis Taylor, Jennifer Herrema, The Mauskovic Dance Band, Clap! Clap!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003cspan class=\"s1\"\u003eVinyl, 12\", 45 RPM, Limited Edition, White Label\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eRBM-004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eTracklist \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e1\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eAlexis Taylor, Jennifer Herrema–\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eI'll Bet You 3:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eThe Mauskovic Dance Band–\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eCosmic Slop\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e4:28\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e3\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eClap! Clap!–\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eBy Way of Flute\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e4:52\u003c\/span\u003e\u003c\/p\u003e","brand":"Real Bad Man","offers":[{"title":"Default Title","offer_id":43164817555683,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_1a5cdb4f-4ec8-489b-a825-1c7101c28c3c.jpg?v=1658840288"},{"product_id":"bell-towers-junior-mix","title":"Junior Mix - Bell Towers LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eBell Towers - Junior Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003eIt is with great pleasure that Public Possession and Cascine present to you the debut album of Bell Towers. Eleven singles deep into his catalogue, his first LP is finally ready, an „Ode to escaping into (and out of) the emotional pits of dance floors – about finding a place in one night’s fantasy¹”. Musically it’s all we’ve ever wanted from a Bell Towers production: ear worm melodies, sharp baselines, wild cross-references in between genres and at last sees him explore his abilities as a singer\/songwriter to full extent. Junior Mix is the sort of pop music that one is always looking for, but rarely finds - bright, charming and a little bit mad.\u003c\/p\u003e\n\u003cp\u003ePP-CSN-02\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380100956387,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_dee2b3c7-010c-4181-bf57-97554e960a56.jpg?v=1664212710"},{"product_id":"serie-a-compilation-various-artists-12","title":"Serie A Compilation - Various Artists 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eSerie A Compilation - Various Artists\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003ePP SERIE is here to combine music by label artists \u0026amp; friends showcasing a broad spectrum of Audio Entertainment. “SERIE A” features: trance inducing collage, pop build up, homage to the almost forgotten communication medium Telefon and a heavy acid tool. \u2028Artists included: Tambien, Rhode \u0026amp; Brown, Mr. Tophat \u0026amp; Obalski.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003ePP022\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380189266147,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_1e7291cd-e93c-4249-9d1c-7e3e02dc8366.jpg?v=1664214202"},{"product_id":"copy-of-serie-a-compilation-various-artists-12","title":"Ikea Hack - Bell Towers 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eIkea Hack - Bell Towers \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBell Towers is finally back with a new record for Public Possession. IKEA HACK originally produced for the runway, was too good not to explore further. \u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003eOnce again perfectly showcasing BT`s abillity to transform emotions into melodies, bridging gaps between various musical influences – the revisited and extendend versions presented here, will leave you with two choices: CHILLOUT \u0026amp; DANCE MIX. In addition the material was handed over to Baba Stiltz, who delivered his very own more minimalistic, extremly hypnotic take on the IKEA HACK.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003ePP027\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380229243107,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_c087f972-1fe3-48dd-bee7-95504e5ce2c3.jpg?v=1664214956"},{"product_id":"fading-pictures-aksel-aino-12","title":"Fading Pictures - Aksel \u0026 Aino 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eFading Pictures - Aksel \u0026amp; Aino\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e12\" Vinyl EP\u003cbr\u003e\u003cbr\u003eForever enjoying memories of long nights, brief encounters, bright moments and extreme euphoria. Short periods of anxiety will soon belong to the past.\u003cbr\u003eA warm, positive feeling prevails.\u003cbr\u003eMusic made for emotional situations by Aksel \u0026amp; Aino.\u003cbr\u003e\u003cbr\u003eProduced by Aksel \u0026amp; Aino\u003cbr\u003eReleased by Public Possession\u003cbr\u003eCat-Nr PP029\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380242153699,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_f5f32024-ca01-40e3-a2a1-3ee90fddeffd.jpg?v=1664215367"},{"product_id":"city-of-sex-dj-city-12","title":"City of Sex - DJ City 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003ch1\u003eCity of Sex - DJ City\u003c\/h1\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e\u003cspan\u003eA) Regrettable Sex\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1) City of Sex\u003c\/span\u003e\u003cbr\u003eB2) Eating Myself\u003cbr\u003e\u003cbr\u003eReleased by Public Possession\u003cbr\u003eCatalog number PP038\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380280918243,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_0bec1ea7-2c06-4683-83f3-36a0da49be99.jpg?v=1664216858"},{"product_id":"sano-x-siwo-12","title":"Sano x Siwo 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003ch1\u003eSano x Siwo\u003c\/h1\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e12\" Vinyl EP\u003cbr\u003e\u003cbr\u003eSano ha vuelto!\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTodos lo conocen por su ya famosa serie de Latino Body Music.\u003cbr\u003e\u003c\/span\u003eEsta vez trajo a Siwo de Mozambique en la voz. Juntos presentan 6 éxitos garantizados para mover los pies.\u003cbr\u003eHi nkensa a misava ni matiku ya Colombia na Mozambique.\u003cbr\u003eKhanimambo ni lirhandzu hi nkensa: M\u0026amp;V at PP. Phran \u0026amp; DJ Phidias at Vimana Studios, Barcelona. Mixmaster Leo Li at Mockba. Palma.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBailar es una terapia!\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003ePublic Possession\u003c\/p\u003e\n\u003cbr\u003eCatalogue Number PP040\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380300742883,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_37e5040e-6fde-45ee-a46d-97b8d9edd5a8.jpg?v=1664217113"},{"product_id":"lullabies-for-submarines-aksel-aino-12","title":"Lullabies for Submarines - Aksel \u0026 Aino LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eLullabies for Submarines - Aksel \u0026amp; Aino\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003eAfter having released their debut EP „Fading Pictures“ in 2019, we are proud to present Aksel \u0026amp; Aino’s first full length titled “Lullabies for Submarines”.\u2028The album is light \u0026amp; dark, mysterious \u0026amp; emotional and above all it is a grand tale of companionship. While celebrating the uncountable facets of human relationships with all the sadness that comes along naturally, the duet of Aksel’s instrumentations and Aino’s poetry always remains upbeat (positive) looking into a bright future, leaving us with the simplest, most sincere and best wish of them all: “I hope we grow old together somewhere inside this great adventure we use to call life.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003ePP047\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380315324643,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_98a85dae-54d8-490b-9f9f-fb4b50267b21.jpg?v=1664217573"},{"product_id":"stiletti-ana-presents-stiletti-city-rhythm-band-12","title":"Stiletti-Ana presents Stiletti City Rhythm Band 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003ch1\u003eStiletti​-​Ana presents Stiletti City Rhythm Band\u003c\/h1\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e12\" Vinyl EP\u003cbr\u003e\u003cbr\u003eStiletti-Ana debut on Public Possession. \u003cbr\u003eIntergalactic transmission. \u003cbr\u003eHaista II Studio Finland. \u003cbr\u003eMotor Scooter Piaggio \u003cbr\u003eDrums, Drums, Drums. 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PP058\u003cbr\u003ePublic Possession\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380342063331,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_4636a9ed-51c2-4bf4-9207-a74864cba0c8.png?v=1664218153"},{"product_id":"interlife-aroma-pitch-2lp","title":"Interlife - Aroma Pitch","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003e\u003cstrong\u003eInterlife - Aroma Pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e2 x 12 Vinyl comes with Inside\/Out Gatefold Cover \u003cbr\u003e\u003cbr\u003eIconic Live trio, DJs \u0026amp; Producers Aroma Pitch are back on Public Possession. After having released their Maxi EP “Oxi Rain \/ Water Air Water” we are very proud to deliver the follow up, their debut Album “Interlife”. Connecting the dots between multi faceted musical influences this Album is bringing together a long legacy of headphone listening to Jazz, jamming in Studios \u0026amp; Clubs, performing on Raves, soundtracking car rides and musically up-lifting daily lives. We have been fans for years and this incredibly diverse record is setting it into stone. Jesse, Julius \u0026amp; Magnus won our hearts forever. \u003cbr\u003eIf you haven’t already, now it’s time for you to get involved!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003eCat.-Nr. PP060\u003cbr\u003ePublic Possession\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380348190947,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_fef827fb-2979-44e5-a91a-ce730beafeda.png?v=1664218432"},{"product_id":"copy-of-oxi-rain-water-air-water-aroma-pitch-12","title":"Big Beat Manifesto Vol. VI - Eden Burns 12”","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cp\u003eBig Beat Manifesto Vol. VI - Eden Burns\u003c\/p\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e12\" Vinyl EP\u003cbr\u003e\u003cbr\u003eEden Burns Journey continues, travelling the world he is gaining followers by the minute. Adapting styles as he pleases never loosing his clear vision, he is offering three new messages on BBM VI. Readymade for wide, open fields - magnetically attracting hands towards the air. Praise the prophet, he brings nothing but pleasure and good vibrations. \u003cbr\u003eBeat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cdiv class=\"product--description\"\u003e\n\u003cp\u003e\u003cbr\u003eCat.-Nr. PP072\u003cbr\u003ePublic Possession\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e\n\u003c\/header\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":43380364378339,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/products\/image_38f5ce02-fcef-4f7c-9bd3-5c56c7e0422c.png?v=1664218793"},{"product_id":"sango-north-lp","title":"Sango - North LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe first official LP from Michigan-based producer Sango, North, on Soulection, 2013.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSango’s North brings forth a new sound, one that pulls from soul, rnb, future bass, hip hop and broken beat fusing them together with seamless vocals chops and grooves. North features collaborations from a diverse group of artists like Australia’s Ta-ku, cinematic downtempo producer Atu, nu-soul singer JMSN, story-telling rapper WALDO, newcomer vocalist Brea and Dpat who produced ‘Remember You’ for Wiz Khalifa and The Weeknd.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing major worldwide support for his refixes, EP’s and beat tapes from the likes of Brownswood’s Gilles Peterson, KCRW’s Aaron Byrd, and Noisey (VICE) to name a few, Sango is poised to elevate the definition of what “future” music is.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e10+ casual releases later, North combines the best of Sango over the last few years into one seamless musical journey. North is a love story of two people, on a journey, who find better things in themselves when they are with each other. North in Hebrew as noted visually in the album art [that Sango designed himself], representing a sense of “heaven” or “glory” are symbolic to Sango, as he sees everything he does an artist for the greater glory, the greater good, as something bigger than himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e1.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/she-yells\"\u003e\u003cspan class=\"track-title\"\u003eShe Yells\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e02:48\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e2.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/no-one-else\"\u003e\u003cspan class=\"track-title\"\u003eNo One Else\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:16\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e3.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/middle-of-things-beautiful-wife-feat-spzrkt\"\u003e\u003cspan class=\"track-title\"\u003eMiddle of Things, Beautiful Wife (Feat. SPZRKT)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:42\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e4.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/here-with-me\"\u003e\u003cspan class=\"track-title\"\u003eHere With Me\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:08\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e5.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/affection-feat-jmsn\"\u003e\u003cspan class=\"track-title\"\u003eAffection (Feat. JMSN)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:58\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e6.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/hold-you-feat-atu\"\u003e\u003cspan class=\"track-title\"\u003eHold You (Feat. Atu)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:00\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e7.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/trust-me\"\u003e\u003cspan class=\"track-title\"\u003eTrust Me\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:40\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e8.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/fruitful-maliyahs-theme\"\u003e\u003cspan class=\"track-title\"\u003eFruitful (Maliyah's Theme)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e03:39\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e9.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/let-this-feat-ago\"\u003e\u003cspan class=\"track-title\"\u003eLet This (Feat. AGO)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e02:41\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e10.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/all-of-you-feat-brea\"\u003e\u003cspan class=\"track-title\"\u003eAll of You (Feat. Brea)\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e02:57\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e11.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/yours\"\u003e\u003cspan class=\"track-title\"\u003eYours\u003c\/span\u003e\u003c\/a\u003e \u003cspan class=\"time secondaryText\"\u003e02:48\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e12.\u003c\/div\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/soulection.bandcamp.com\/track\/until-saturday-feat-ta-ku-tracey\"\u003e\u003cspan class=\"track-title\"\u003eUntil Saturday (Feat. 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On this new chapter he recruits an incredible line-up of rappers, featuring The Alchemist, Cappadonna, Evidence, Marlon Craft, M.A.V., Maxo, Meyhem Lauren, Mooch, Rigz, Roc Marciano, Rome Streetz, Sachill Pages, Sauce Heist, Stove God Cooks and Willie The Kid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Back On One\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Gold Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Big Boy Deli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Stuck In Our Ways\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB1. Belong On Boats\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. This Is What It Is\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. The Game Don't Stop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. 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Picking up right where they left off, the two are creating a music score to a gritty, grimy and filthy street tale, bringing on board \u003c\/span\u003e\u003cstrong\u003eCRIMEAPPLE, Knowledge The Pirate, Rome Streetz \u003c\/strong\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cstrong\u003e Stove God Cooks\u003c\/strong\u003e\u003cspan\u003e as their accomplices.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA1. Water Under The Bridge\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. All The Way Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Game Time\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. A Hundred Ninety Bands\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB1. Meddlin' (feat. CRIMEAPPLE)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Cash Transactions (feat. Knowledge The Pirate)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Open Door (feat. 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Killing Nothing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePLEASE NOTE \u003c\/strong\u003e\u003cspan\u003eVinyl previews are digital mock-ups, final product may differ from this preview.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Real Bad Man","offers":[{"title":"Default Title","offer_id":47430356631889,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/IMG-4327.webp?v=1697980731"},{"product_id":"pink-siifu-real-bad-flights-lp","title":"Pink Siifu - Real Bad Flights LP (OBI)","description":"\u003ch1 class=\"product-single__title\"\u003eReal Bad Flights\u003c\/h1\u003e\n\u003cp\u003ePINK SIIFU \u0026amp; REAL BAD MAN\u003c\/p\u003e\n\u003cp\u003eOBI: Orange Fire Ball Edition\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eFollowing a banging streak of collaboration albums with the likes of Boldy James and Smoke DZA, as well as his successful On High Alert series, Real Bad Man teams up with one of the most buzzing names in underground hip-hop right now, a true chameleon, Pink Siifu. The Birmingham, Alabama native emcee has been shaking the foundations and pushing boundaries in rap and music in general over the last few years gaining major attention and touring the world. On collaboration album \"Real Bad Flights\" the two both bring their A-game to the table, creating a unique soundscape together with special guests such as Boldy James, Armand Hammer, Chuck Strangers and Iojii among others, to bring you one of the most exciting albums of 2022. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Real Negro Life (feat. Piper GKFAM)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Looking For Water (feat. Boldy James)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Tokyo Blunts (feat. Armand Hammer, ConQuest Tony Phillips)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Afro Russian (feat. 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Real Bad Gospel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePLEASE NOTE \u003c\/strong\u003e\u003cspan\u003eVinyl previews are digital mock-ups, final product may differ from this preview.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Real Bad Man","offers":[{"title":"Default Title","offer_id":47430428983633,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/IMG-5879.png?v=1704386428"},{"product_id":"moodswings","title":"Smoke DZA - Mood$wings (OBI)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv id=\"shopify-section-template--15613187784900__main\" class=\"shopify-section\"\u003e\n\u003csection data-section-id=\"template--15613187784900__main\" data-section-type=\"product\" data-section-settings='{\n  \"showShippingEstimator\": false,\n  \"showQuantitySelector\": true,\n  \"showPaymentButton\": false,\n  \"showInventoryQuantity\": false,\n  \"lowInventoryThreshold\": 25,\n  \"galleryTransitionEffect\": \"slide\",\n  \"enableImageZoom\": false,\n  \"zoomEffect\": \"outside\",\n  \"enableVideoLooping\": false,\n  \"productOptions\": [\"Title\"],\n  \"enableHistoryState\": true,\n  \"infoOverflowScroll\": true,\n  \"isQuickView\": false\n}'\u003e\n\u003cdiv class=\"container container--flush\"\u003e\n\u003cdiv class=\"product-block-list product-block-list--medium\"\u003e\n\u003cdiv class=\"product-block-list__wrapper\"\u003e\n\u003cdiv class=\"product-block-list__item product-block-list__item--description\"\u003e\n\u003cdiv class=\"card\"\u003e\n\u003cdiv class=\"card__section \"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003e\u003cspan\u003eInspired by being legally able to sell weed on the West Coast, Harlem's kush god \u003cstrong\u003eSmoke DZA\u003c\/strong\u003e teams up with LA producer Real Bad Man on their joint album \u003cem\u003e\"MOOD$WINGS\"\u003c\/em\u003e to kick off their 2022. THC infused bars perfectly delivered over \u003cstrong\u003eReal Bad Man\u003c\/strong\u003e signature beats alongside guest appearances by \u003cstrong\u003eFlee Lord, NymLo, Knowledge The Pirate, Remy Banks \u003c\/strong\u003eand\u003cstrong\u003eOT The Real\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Dearly Beloved (feat. Flee Lord)\u003cbr\u003eA2. Last of The Mohicans\u003cbr\u003eA3. Extra Cool (feat. NymLo)\u003cbr\u003e\u003cbr\u003eB1. Run It\u003cbr\u003eB2. Ken Patera (feat. Knowledge The Pirate \u0026amp; Remy Banks)\u003cbr\u003eB3. Casualties\u003cbr\u003eB4. Live At The Speak Easy (feat. 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The album features Boldy James, Kool Keith, Theravada, Grip, Blu, Fatboi Sharif, dreamcastmoe.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rushhour.nl\/event\/yungmorpheus-live-beat-session\"\u003e\u003c\/a\u003eYUNGMORPHEUS is a highly innovative rapper that consistently endeavors to redefine the boundaries of originality and elevate the art of lyricism. Earlier this year, YUNGMORPHEUS dropped his critically acclaimed album “From Whence It Came” which received praise from The FADER, NPR, SPIN, and was hailed by QUIP Mag as “Everything you need from a hip-hop record.”\u003c\/p\u003e\n\u003cp\u003eSince 2020, Prolific LA-based producer and designer Adam Weissman (Real Bad Man) has been on a sensational run releasing albums with Boldy James, Smoke DZA, and Pink Siifu. The Chalice \u0026amp; The Blade will be Real Bad Man’s third album of the year following his remarkable collaborations with Blu (“Bad News”) and Kool Keith (“Serpent”).\u003c\/p\u003e\n\u003cp\u003eThe Chalice \u0026amp; The Blade showcases a unique ambiance marked by a stoney and atmospheric quality, interspersed with elements of funk. Real Bad Man explains the album making process, \"I always tailor the music to the artist I’m collaborating with. I sent Morpheus a bunch of beats that he’d sound good over and once he started picking them, that set the path.  We’d record and I’d make more beats, and move stuff around, get rid of some songs and record new ones.  It was a good process.  I like being able to adjust as we go, I think that makes for a good album.  We left some songs on the cutting room floor.  Cream rises.\"\u003c\/p\u003e\n\u003cp\u003eYUNGMORPHEUS discussing the new album, “‘The Chalice \u0026amp; The Blade’ is an album primarily rooted in dichotomies; contemplation of action vs action itself, inner locus vs outer locus, pursuit for self vs pursuit for others. Honesty is always the centerpiece. Play if you want cause I’m not!”\u003c\/p\u003e\n\u003cp\u003eOn The Chalice \u0026amp; The Blade, the seamless synergy between Real Bad Man and YUNGMORPHEUS takes center stage, showcasing an extraordinary chemistry that elevates every track to new heights of musical innovation.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST\u003c\/p\u003e\n\u003cp\u003eA1. Intro\u003cbr\u003eA2. Off The Turnpike\u003cbr\u003eA3. Tripleback Tuck\u003cbr\u003eA4. New Dance Show (feat. Boldy James)\u003c\/p\u003e\n\u003cp\u003eB1. Youngblood Priest\u003cbr\u003eB2. Just The Three of Us\u003cbr\u003eB3. Large Step! (feat. BLU)\u003cbr\u003eB4. Perceived Merits\u003c\/p\u003e\n\u003cp\u003eC1. Calculated Risks (feat. Theravada)\u003cbr\u003eC2. Coffee into Coins (feat. dreamcastmoe)\u003cbr\u003eC3. THX-1138 (feat. Genevieve Artadi)\u003cbr\u003eC4. Flick of The Wrist (feat. Grip)\u003c\/p\u003e\n\u003cp\u003eD1. The Amazing Randi (feat. Kool Keith \u0026amp; Fatboi Sharif)\u003cbr\u003eD2. This Or That\u003cbr\u003eD3. Tell Me Something Different\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Real Bad Man","offers":[{"title":"Default Title","offer_id":48781309968721,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/2691CFBE-875B-4519-BD1D-F8DFE457F275.jpg?v=1718016369"},{"product_id":"darling-tulipa-moves","title":"Darling - Tulipa Moves","description":"\u003cp\u003eWE WRITE WITH UPDATES ON OUR PURSUIT OF THE HUMAN-LIKE ALIEN LIFEFORM KNOWN AS “\u003cstrong\u003e\u003cu\u003eDARLING\u003c\/u\u003e\u003c\/strong\u003e”, WHO WE BELIEVE MAY BE ASSISTING THE SHADOWY SAFE TRIP ORGANISATION.\u003c\/p\u003e\n\u003cmain class=\"wrapper main-content\" role=\"main\"\u003e\n\u003cdiv class=\"grid\"\u003e\n\u003cdiv class=\"grid__item\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv id=\"ProductSection\" data-section-id=\"product-template\" data-section-type=\"product-template\" data-image-zoom-type=\"lightbox\" data-related-enabled=\"false\" data-show-extra-tab=\"false\" data-extra-tab-content=\"\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Product\"\u003e\n\u003cdiv class=\"product-single\"\u003e\n\u003cdiv class=\"grid product-single__hero\"\u003e\n\u003cdiv class=\"grid__item post-large--one-half\"\u003e\n\u003cdiv class=\"inline-block-please\" itemprop=\"offers\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Offer\"\u003e\n\u003cdiv class=\"product-description rte\" itemprop=\"description\"\u003e\n\u003cp\u003e AFTER BREAKING OUT OF OUR HOLDING FACILITY FOLLOWING HIS CAPTURE IN THE FORBIDDEN FOREST – SEE THE TOP SECRET FILE HEADED “\u003cstrong\u003e\u003cu\u003eJ P S\u003c\/u\u003e\u003c\/strong\u003e” – IN EARLY 2017, THE TRAIL WENT COLD. A RECENT TIP-OFF LED US TO AN AMSTERDAM BUNKER. WHILE WE WERE UNABLE TO GAIN ENTRY, AN OPERATIVE SUCCESSFULLY PLACED AN EAVESDROPPING DEVICE IN THE AIR VENTS. THROUGH THIS, WE WERE ABLE TO RECORD EIGHT MUSICAL COMPOSITIONS OF VARYING LENGTHS THAT THE EXTRA-TERRESTIAL LIFEFORM HAD CREATED USING A RANGE OF ANALOGUE AND DIGITAL ELECTRONIC INSTRUMENTS.\u003c\/p\u003e\n\u003cp\u003e WE HAVE CALLED THIS COLLECTION “\u003cstrong\u003e\u003cu\u003eTULIPA MOVES\u003c\/u\u003e\u003c\/strong\u003e”. WE ENCLOSE A COPY FOR YOUR ANAYLSIS. YOU WILL NOTE THAT THE TRACKS UTILISE A VARIETY OF RHYTHMIC PATTERNS AND PERCUSSIVE ELEMENTS, EXPLORE A RANGE OF UNEARTHLY BUT ATTRACTIUVE SOUNDS AND ARE CAPABLE OF STIRRING DIFFERENT EMOTIONS IN HUMAN LISTENERS.\u003c\/p\u003e\n\u003cp\u003e WE DIRECT YOUR ATTENTION TOWARDS THE LILTING, SOFTLY SPUN MELANCHOLIA OF\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eCOMPOSITION 03\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003e(CODENAME\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“SO DID WE”\u003c\/strong\u003e), WHICH DEEPLY EFFECTED MANY OF THOSE WHO HEARD IT, THE UNDULATING AND FLUID, BEAT-FREE BLISS OF\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eCOMPOSITION 05\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003e(CODENAME\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“THE M SONG”\u003c\/strong\u003e), AND THE UP-TEMPO POSITIVITY OF\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eCOMPOSITION 07\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003e(CODENAME “\u003cstrong\u003eKISS THE GLASS\u003c\/strong\u003e”), WHOSE CHIMING, INTERTWINED MELODIES AND SNAPPY RHYTHMIC ENERGY REMINDED US OF SO-CALLED “INTELLIGENT DANCE MUSIC”.\u003c\/p\u003e\n\u003cp\u003e WE WERE ASTONISHED BY THE QUALITY AND INTRICACY OF THESE ALIEN CREATIONS AND THOSE WE HAVE NOT DESCRIBED IN DETAIL. LISTENED TO AS A WHOLE, THE COLLECTION TIPTOES A FINE LINE BETWEEN POIGNANCY AND POSITIVITY. IT CONFIRMS OUR ANALYSIS THAT “DARLING” IS A HUMANOID LIFEFORM WITH HIGHER INTELLIGENCE AND INTENSE MUSICAL ABILITY. WE WILL KEEP THE BUNKER UNDER OBSERVATION AND REPORT ANY FUTURE DEVELOPMENTS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\n\u003cdiv id=\"shopify-section-footer\" class=\"shopify-section\"\u003e\u003cfooter class=\"site-footer small--text-center\" role=\"contentinfo\"\u003e\n\u003cdiv class=\"wrapper\"\u003e\u003c\/div\u003e\n\u003c\/footer\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"SAFE-TRIP.ORG","offers":[{"title":"Default Title","offer_id":48808527626577,"sku":"ST012-LP","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/IMG-8593.webp?v=1718457516"},{"product_id":"young-marco-im-still-mellow","title":"Young Marco - I'm Still Mellow","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn echo through the ages, channelled and tuned by Young Marco. Feelings of tactile, loved-up naivety, transferred to musical waves of colour, rhythmic energy, and hallucinatory aural visions. This is ‘I’m Still Mellow’ and the psychedelic yin to its’ yang, reverse alternative version 'Wollem Lits M’I'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth are imaginative 21st century takes on 'Mellow', a long-forgotten Amsterdam-born sub-genre of dance music that took the house template and re-imagined it for Dutch dancefloors in the early ‘90s.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SAFE-TRIP.ORG","offers":[{"title":"Default Title","offer_id":48808668332369,"sku":"ST018","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/IMG-8599.webp?v=1718458130"},{"product_id":"safe-camp-safe-camp-pop-ep","title":"Safe Camp - Safe Camp Pop EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccompanying our collaboration with POP is this highly limited vinyl only release by the mysterious Safe Camp collective. Comes with a 40 page booklet of mind altering imagery.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"SAFE-TRIP.ORG","offers":[{"title":"Default Title","offer_id":48808682324305,"sku":"ST-POP1","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/IMG-8596.webp?v=1718457892"},{"product_id":"julian-klincewicz-beach-tape","title":"Julian Klincewicz Beach Tape","description":"\u003cp\u003e \u003cspan\u003e“Imperfections and all, it's me playing piano, and it's me playing guitar... just playing to play - \u003c\/span\u003e\u003cspan\u003ewithout justification.” -  Julian Klincewicz\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe solo tumult tape is a collection of these improvised piano \u0026amp; guitar pieces recorded over the past few years,\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ethe earliest from 2020, the most recent from April 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMade in EU\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eFollowing the release of Julian Klincewicz's newest photo book 'Solo Tumult' capturing the surfers riding the massive and beautiful waves at Waimea Bay, TOKEN and our friend Julian collaborated on a special + limited capsule collection that is the essence of a dreamy day at the beach including a double-sided  car windshield sun visor, t-shirt, cassette tape, and single fin surfboard. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Token","offers":[{"title":"Default Title","offer_id":49046745579857,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/token_10-07-24_0032.jpg?v=1721395949"},{"product_id":"boy-ep","title":"'Boy' EP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIt’s the one you’ve been searching for….new white label action from Klasse Wrecks in the form of BOY1. The boy-wonder behind the music is none other than Seoul’s favourite soulful son, Mogwaa. It’s dubbed out pianos, forget-me-not vocal hooks and classic breaky House with a sprinkle of acid to sweeten the pot.\u003c\/span\u003e\u003c\/p\u003e","brand":"Klasse Wrecks","offers":[{"title":"Default Title","offer_id":49293358268753,"sku":"","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/BOY1_MOCK3000_1200x_a400aed1-1b99-4bf8-9d02-6ec1b2d444ea.jpg?v=1725893771"},{"product_id":"nailoz-whitelabel","title":"\"Nailoz\" Whitelabel","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOriginally released by Warp Records in 1993, Nail’s ‘Cassiopeia’ has since turned into a timeless deep trance classic. Luca Lozano’s interpretation sits somewhere between a remix and an edit, swapping out the original drums for an 808 and some breakbeats. Originally intended only for personal use on the dance floors, Klasse Wrecks is pleased to announce it is now available for public enjoyment via a one-sided white label. The record is housed in a translucent yellow sleeve, comes with a 42x60cm ‘Klasse Wrecks’ poster and is limited to 400 copies only.\u003c\/span\u003e\u003c\/p\u003e","brand":"Klasse Wrecks","offers":[{"title":"Default Title","offer_id":49293401030993,"sku":"","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/nailoz_sleeve_repress2_1200x_78b0454b-a8fa-48f8-9778-eaa8c9f02e01.png?v=1725893879"},{"product_id":"no-problemo-turntable-slipmats-3-pack","title":"No Problemo Turntable Slipmats 3 Pack","description":"\u003cp\u003e\u003cstrong\u003eNo Problemo Spring\/Summer 26'\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePolyester Turntable Slipmats Featuring Classic No Problemo, Alien-O Eyes and Acid Team Graphics \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100% polyester \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNP90964.05\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"No Problemo","offers":[{"title":"Default Title","offer_id":53086658724177,"sku":"NP90964.05.OS","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/MULTI-CHECK-SS-SHIRT-BACK-Recovered.pngggg_460c8805-761e-4f08-86ee-f2ae18b97587.webp?v=1771929274"},{"product_id":"il-guardiano-del-faro-oasis","title":"Il Guardiano Del Faro - Oasis","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBorn 1940 in Milan, Federico Mon Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other ar sts which sold millions of copies, but his own solo success came a er he encountered synthesizers in the early 70s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eViewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a mee ng with Bob Moog in New York only added to this obsession.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe was also an early adopter of the tradi on among electronic producers to use a moniker to disguise his iden ty. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscilla ng between ambient and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003epsychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIl Guardiano Del Faro - \u003cmeta charset=\"utf-8\"\u003eOasis\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eReleased October 31, 2018\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771023909201,"sku":"TIME001","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a0758870145_10.jpg?v=1778689828"},{"product_id":"time009","title":"Gratien Midonet - A Cosmic Poet From Martinique 1979-1989","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCreole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer, drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough Midonet honed his sound in France, the four albums he released during the late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eMartinique.\u003cbr\u003e\u003cbr\u003eFittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound.\u003cbr\u003e\u003cbr\u003eReleased on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.\u003cbr\u003e\u003cbr\u003eNot content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.\u003cbr\u003e\u003cbr\u003eLike Fô Ou Tchimbé’s iridescent ‘Antille Ô Cristal’, with its sparse synth stabs and rubbery bassline, Midonet’s music has found a new home on psychedelic dance floors like Beauty and The Beat, where resident Pol Valls first brought Midonet to curator Cedric Lassonde’s attention.\u003cbr\u003e\u003cbr\u003eAs Lassonde writes in the liner notes: “Midonet’s musical world is cosmic, mystical and he has created his own idiosyncratic style around it: not plain folk, not bélé, chouval bwa, beguine or gwoka, but rather a transcendental fusion of all these and a true reflection of his personality.”\u003cbr\u003e\u003cbr\u003eNow based on the South Pacific island of New Caledonia, Midonet and his message of musical unity are ready to resonate once more.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased October 30, 2020\u003c\/div\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771056087377,"sku":"TIME009","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a0789660562_10.jpg?v=1778690213"},{"product_id":"v-a-tokyo-riddim-1976-1985","title":"V.A. - Tokyo Riddim 1976-1985","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAmong them are Miki Hirayama, the idol singer who\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eborrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly \u0026amp; Robbie’s Compass Point sound.\u003cbr\u003e\u003cbr\u003eThen there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.\u003cbr\u003e\u003cbr\u003eWhile these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.\u003cbr\u003e\u003cbr\u003eTokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.\u003cbr\u003e\u003cbr\u003eReleased on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eReleased January 16, 2024\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Andy Baldwin at Metropolis Studios, London, UK\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtwork by Noncheleee\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompiled by Kay Suzuki \u0026amp; Pol Valls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiner notes by Anton Spice \u0026amp; Kay Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCoordinated by Ken Hidaka \u0026amp; Kay Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTime Capsule | TIME016 | 1976-1985 → 2023\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771135222097,"sku":"TIME016","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a4196094641_10.jpg?v=1778690489"},{"product_id":"niningashi-heavy-way","title":"Niningashi - Heavy Way","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAlthough he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.\u003cbr\u003e\u003cbr\u003eA coming-of-age album, Heavy Way captured a turning point in Okubo’s life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.\u003cbr\u003e\u003cbr\u003eIntoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.\u003cbr\u003e\u003cbr\u003eNiningashi was his first band, and Heavy Way was their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.\u003cbr\u003e\u003cbr\u003eMelancholy and profound, opening track ‘Ameagari’\u003cspan class=\"bcTruncateMore\"\u003e feels like a synthesis of Harvest-era Neil Young and Haruomi Hosono’s Happy End. Then there’s the whimsical washboard country sound of ‘Semai Boku No Heyade’; the moody, low-lit charm of ‘Restaurant’; and ‘Hitoribotchi’, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.\u003cbr\u003e\u003cbr\u003eWhile Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.\u003cbr\u003e\u003cbr\u003eSelf-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.\u003cbr\u003e\u003cbr\u003eFeatured on Time Capsule’s era-spanning collection Nippon Acid Folk, Niningashi’s Heavy Way is a deep-cut grail of a vibrant time in Japan’s musical history, where even the pharmacists were making jams.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eReleased April 19, 2024\u003cbr\u003e\u003cbr\u003eAll songs are written \u0026amp; composed by Kazuhisa Okubo\u003cbr\u003eRemastered by Andy Baldwin at Metropolis Studios, London, UK\u003cbr\u003eLiner notes by Anton Spice \u0026amp; Kay Suzuki\u003cbr\u003eArtwork by Leon Moh-Cah\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771170185553,"sku":"TIME019","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a3040676420_10.jpg?v=1778690758"},{"product_id":"cho-co-pa-tradition","title":"CHO CO PA - Tradition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNamed after one of the basic rhythms of Cuban folk music and drawing on influences from across the globe, Cho Co Pa Co Cho Co Quin Quin are quite simply a world unto itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComprised of three childhood friends, Daido, Yuta and So, who reconnected during the coronavirus pandemic, Cho Co Pa initially emerged as a playful way for the three 23-year-olds to pass the time. Tapping into their youthful connection, they created a sound that exudes confidence and curiosity, a homage to the masterful world of YMO’s and Happy End’s Haruomi Hosono, rooted in the trio’s own idiosyncratic experience of the present.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded at home and promoted on hugely popular DIY TikTok videos, their debut album Tradition is a technicolour exercise in armchair travelling – a kind of lockdown exotica for the housebound whose nostalgic flights of fancy are laced with a sense of whimsical melancholy for the lost freedoms of youth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReferencing everything from Afro-Cuban percussion to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003elo-fi beats, Buddhist spirituality to trap, each member of the band brings different musical inspirations to the table. Latin American and Middle Eastern styles sit adjacent to a fascination for the electronic music of Aphex Twin, Dorian Concept, Underworld and Daft Punk. At times, the music verges on acid pop bliss, at others, it grooves with the instrumental funk sensibility of BADBADNOTGOOD.\u003cbr\u003e\u003cbr\u003e“In the first place, when I create a song, my goal is to transport the listener to a mysterious place,” vocalist Daido explained in a recent magazine interview. Using lyrics as another sonic texture in the composition of ideas, Cho Co Pa paint beguiling sonic postcards of far-flung moods across 12 highly original tracks.\u003cbr\u003e\u003cbr\u003eMarrying the organic and the electronic on rhythmically sophisticated compositions like ‘Chichibu’ and ‘Watatsumi’, it is on the album’s standout track ‘Gandhara’ that the experimental sound of Cho Co Pa comes to the fore. Referencing the ancient city of Gandhara through which Buddhism made its way from India to China, the track is a vocoder-trap-inspired, Udu drum-driven pop jam that lilts with unmistakable Balearic flair. If that’s difficult to imagine, then know simply that ‘Gandhara’ sounds like nothing else on this side of Saturn. Even Daido seemed surprised by the outcome: “I feel like we were able to create something that exceeded our abilities. That was huge!”\u003cbr\u003e\u003cbr\u003eHugely popular in Japan, with festival appearances lined up alongside BADBADNOTGOOD at Asagiri Jam in October, it's safe to say the success of Tradition has taken Cho Co Pa by surprise. Released digitally in July 2023, Tradition will get a full international vinyl release in January 2024. You won’t have heard anything like it.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771197284689,"sku":"CCPQ-00001","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a3057097630_10.jpg?v=1778690953"},{"product_id":"izumi-mimi-kobayashi-choice-cuts-1978-1983","title":"Izumi \"Mimi\" Kobayashi - Choice Cuts 1978-1983","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIrrepressible, off-the-wall and utterly unique - the late ‘70s\/early ‘80s Latin jazz-funk and leftfield electronic boogie of Japanese composer and pianist Izumi ‘Mimi’ Kobayashi collected for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003estudio.\u003cbr\u003e\u003cbr\u003eChoice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name.\u003cbr\u003e\u003cbr\u003eThe compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep.\u003cbr\u003e\u003cbr\u003eAlongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows).\u003cbr\u003e\u003cbr\u003eReleased on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole \u0026amp; and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’.\u003cbr\u003e\u003cbr\u003eCapturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eReleased September 13, 2024\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCurated by Kay Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigned by Kay Suzuki \u0026amp; Nina Yamada\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiner notes by Anton Spice, Kay Suzuki and Ayana Honma\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLicensed courtesy of Universal Music Operations Ltd\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771224187217,"sku":"TIME020","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2774963690_10.jpg?v=1778691200"},{"product_id":"time021","title":"V.A. - Tokyo Riddim Vol.2 1979-1986","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDiving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.\u003cbr\u003e\u003cbr\u003eThe first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.\u003cbr\u003e\u003cbr\u003eThe Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.\u003cbr\u003e\u003cbr\u003eFor some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the\u003cspan class=\"bcTruncateMore\"\u003e global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.\u003cbr\u003e\u003cbr\u003eYou had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.\u003cbr\u003e\u003cbr\u003eThen there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.\u003cbr\u003e\u003cbr\u003eBut where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.\u003cbr\u003e\u003cbr\u003ePerhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eReleased October 25, 2024\u003cbr\u003e\u003cbr\u003eCompiled by Kay Suzuki\u003cbr\u003eArtwork by Noncheleee\u003cbr\u003eLiner notes by Anton Spice, Kay Suzuki \u0026amp; Ayana Honma\u003cbr\u003eCoordinated by Ken Hidaka \u0026amp; Kay Suzuki\u003cbr\u003eMastered by Mike Hillier at Metropolis Studios, London, UK\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771260264785,"sku":"TIME021","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2150055799_10.jpg?v=1778691409"},{"product_id":"so-do-studio-works-82-85","title":"So-Do - Studio Works '82-'85","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSo-Do’s dubby post-punk sound painted the idealism and disillusionment of early ‘80s bubble-era Japan in heavy-grooving funk and ice-cold style.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe story of So-Do is both familiar and completely unique. A classically trained multi-instrumentalist with a poet’s sensibility and a passion for folk music meets a worldly bar owner with a love for psychedelia, post-punk and dub in the small town neither could bring themselves to leave. Over two years, they play dozens of shows in independent live houses across Japan, cut and self-release three singles – two 7”s and a 12” – and leave behind just eight tracks, all of which are set to be reissued for the first time forty years on.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo-Do’s Studio Works ’83-’85 collects the full output of this iconoclastic post-punk phenomenon, whose sparse, syncopated arrangements were infused with a dubbed-out flair that owed more to Dennis Bovell’s productions of Orange Juice, the Jah Wobble basslines of Public Image Limited or Adrian Sherwood’s live dubs of Mark Stewart than even they knew at the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause for lead songwriter Hideshi Akuta, music offered an escape from the existential malaise of small-town life, folding a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003emelancholy nihilism into tracks like ‘Kakashi’ and ‘Hashiru’ (which translates as ‘run’), or taking aim at the inequalities and creeping apathies of the middle classes, as he does on ‘Get Away’ and ‘Nothing’.\u003cbr\u003e\u003cbr\u003eAnd if Talking Heads had CBGBs, Sex Pistols had the Roxy, then So-Do had Buddha. Influenced by Buddha venue owner and amateur producer Atsuo Takeuchi, Akuta turned So-Do’s sound towards dub, crafting playful, ironic and funky compositions that crackle with live energy at the vanguard of Japan’s nascent independent music scene.“So-Do is hard to explain,” Takeuchi says. “It’s been a struggle for years to try to find the words for our music.” The answer perhaps, is just to listen.\u003cbr\u003e\u003cbr\u003eBoth familiar and completely unique, So-Do extend Time Capsule’s genre-defining exposition of Japan’s reggae-inspired music of the ‘70s and ‘80s, as collected on the label’s two critically acclaimed Tokyo Riddim compilations, and London-based live outfit Tokyo Riddim Band.\u003cbr\u003e\u003cbr\u003eEmbracing the rip-it-up-and-start-again ethos of the early ‘80s, So-Do burned bright for a short time and then burned out. Their legacy is about to be reignited. Expect it to catch alight once more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSo-Do:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHideshi Akuta (Vocal, Gt \u0026amp; Sax)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkira Tsukada (Gt)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYoshifumi Ito (Bass)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKimihiro Takemae (Drums)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGuests:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHiroyasu Takamori (Synth)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOsamu Tsukeoka (Bass Dr)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGen Ohgimi (Perc)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYasuo Imase (Horn)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs are written \u0026amp; composed by Hideshi Akuta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Atsuo Takeuchi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtwork by Ben Arfur\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiner Notes by Anton Spice, Ayana Honma, Kay Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurated by Kay Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLicensed from Atsuo Takeuchi (Oregano Cafe)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTape Restoration and Mastered by Mike Hillier at Metropolis Studios, London, UK\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTime Capsule | TIME023 | 1983-1985 → 2025\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771287560529,"sku":"TIME023","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2620936478_10.jpg?v=1778691611"},{"product_id":"v-a-tv-anime-manga-new-age-soundtracks-1984-1993","title":"V.A. - TV, Anime \u0026 Manga New Age Soundtracks 1984-1993","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAwash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTV, Anime \u0026amp; Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003egenre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.\u003cbr\u003e\u003cbr\u003eAmong them is ‘Kaneda’ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.\u003cbr\u003e\u003cbr\u003eReflecting the desires of the era to reach beyond Japan’s borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. There’s violinist and composer Norihiro Tsuru’s ‘Farsighted Person’, written for The Heroic Legend of Arslān, set in ancient Persia; Yas-Kaz’s own ‘Hei (Theme of Shikioni)’, for period sci-fi manga \u0026amp; anime series Peacock King - Spirit Warrior; and two tracks - Tassili N’Ajjer and Fiesta Del Fuego - from Yoichiro Yoshikawa’s soundtrack to NHK’s proto-Planet Earth series The Miracle Planet.\u003cbr\u003e\u003cbr\u003eSuch was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.\u003cbr\u003e\u003cbr\u003eElsewhere, pioneering children’s TV composer Chumei Watanabe’s ‘Fushigi Song’ (performed by a vocal group Korogi ‘72) offers a trippy and infectious groove with sonic similarities to Don Cherry’s ‘Brown Rice’; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyo’s session musicians on ‘Hearts Beats - Theme for Andrew Glasgow’; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on ‘Gishin Anki’.\u003cbr\u003e\u003cbr\u003eFollowing on from Time Capsule’s acclaimed deep-dive into the world of manga \u0026amp; anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eR\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eeleased April 25, 2025\u003cbr\u003e\u003cbr\u003eA1. Korogi ‘73 - Fushigi Song 4:31\u003cbr\u003eTaken from Space Sheriff Shaider TV soundtrack (1984)\u003cbr\u003eComposed \u0026amp; arranged by Chumei Watanabe\u003cbr\u003eLicensed by Nippon Columbia Co.,Ltd.\u003cbr\u003e\u003cbr\u003eA2. Yas-Kaz - Hei (Theme of Shikioni) 4:40\u003cbr\u003eTaken from Kujakuoh Kikansai Ongakuhen anime soundtrack (1988)\u003cbr\u003eComposed and arranged by Yas-Kaz\u003cbr\u003eLicensed by Pony Canyon Inc.\u003cbr\u003e\u003cbr\u003eA3. Yoichiro Yoshikawa - Tassili N'Ajjer 3:29\u003cbr\u003eTaken from A Dream Of Aku-Aku, a soundtrack for TV series The Miracle Planet (1988)\u003cbr\u003eComposed and arranged by Yoichiro Yoshikawa\u003cbr\u003e(P) 1987 EMI Music Japan Inc.\u003cbr\u003ePublished By: NHK Publishing\u003cbr\u003eLicensed courtesy of Universal Music Operations Limited\u003cbr\u003e\u003cbr\u003eA4. Norihiro Tsuru - Farsighted Person 4:58\u003cbr\u003eTaken from The Heroic Legend of Arslān III, IV Original manga Soundtrack (1993)\u003cbr\u003eComposed and arranged by Norihiro Tsuru\u003cbr\u003eLicensed by Sony Music Entertainment UK\u003cbr\u003e\u003cbr\u003eB1. Geinoh Yamashirogumi - Theme of Kaneda 3:11\u003cbr\u003eTaken from Symphonic Suite Akira (1988)\u003cbr\u003eComposed and produced by Shoji Yamashiro\u003cbr\u003eLicensed by Victor Entertainment, Inc.\u003cbr\u003e\u003cbr\u003eB2. Yoichiro Yoshikawa - Fiesta Del Fuego 3:29\u003cbr\u003eTaken from Cyprus, a soundtrack for TV series The Miracle Planet (1988)\u003cbr\u003eComposed and arranged by Yoichiro Yoshikawa\u003cbr\u003e(P) 1988 EMI Music Japan Inc.\u003cbr\u003ePublished By: NHK Publishing\u003cbr\u003eLicensed courtesy of Universal Music Operations Limited\u003cbr\u003e\u003cbr\u003eB3. Columbia Orchestra - Heart Beats - Theme for Andrew Glesgow- 3:28\u003cbr\u003eTaken from Palm - The Sea Shouldn’t Exist manga soundtrack (1986)\u003cbr\u003eComposed and arranged by Norimasa Yamanaka\u003cbr\u003eLicensed by Nippon Columbia Co.,Ltd.\u003cbr\u003e\u003cbr\u003eB4. Kan Ogasawara - Gishin Anki 5:05\u003cbr\u003eTaken from Yume No Ishibumi manga soundtrack (1985)\u003cbr\u003eComposed \u0026amp; Arranged by Kan Ogasawara\u003cbr\u003eLicensed by Pony Canyon Inc.\u003cbr\u003e\u003cbr\u003eMastered \u0026amp; Cut by Mike Hillier at Metropolis Studios, London, UK\u003cbr\u003eArtwork by 2 yang\u003cbr\u003eLiner notes by Anton Spice \u0026amp; Kay Suzuki\u003cbr\u003eCurated by Kay Suzuki \u0026amp; Rintaro Sekizuka (Vinyl Delivery Service)\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771340742993,"sku":"TIME015","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a3526915973_10.jpg?v=1778691999"},{"product_id":"gabrielle-roth-the-mirrors","title":"Gabrielle Roth \u0026 The Mirrors - Selected Works 1985-2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGround-breaking percussive ambient recordings to induce altered states of consciousness through ecstatic dance. Gabrielle Roth \u0026amp; The Mirrors were a world unto themselves.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDespite featuring an extraordinary cast of musicians (with credits including Sun Ra, Pharoah Sanders, Miles Davis, Santana, Stevie Wonder, Milton Nascimento and much more) and selling hundreds of thousands of albums, the music of Gabrielle Roth \u0026amp; The Mirrors remains largely unheard beyond their sphere. Conceived as live, improvised soundtracks to Roth’s transcendental dance workshops, musical acclaim was never on the agenda.\u003cbr\u003e\u003cbr\u003eInstead, for a passionate dancer and spiritual polyglot like Gabrielle Roth, movement was a means through which to channel a wide spectrum of teaching, from experimental psychology to psychedelic counter-culture. It was from this heady mix that she devised a movement meditation known as 5Rhythms, which came to define her life’s work.\u003cbr\u003e\u003cbr\u003eAs “guide and catalyst”, Roth would dance to inspire the percussion-led instrumentals that would in turn fuel her 5Rhythms workshops, stimulating a secular form of ecstatic dance with\u003cspan class=\"bcTruncateMore\"\u003e roots in Native American shamanic traditions, Afro-Brazilian Candomblé and Yoruba drumming.\u003cbr\u003e\u003cbr\u003eUsing anything from a Sioux pony drum to East African kihembe and Japanese Kabuki drums, Gabrielle’s lawyer-turned-drummer husband Robert Ansell set the foundational rhythms for The Mirrors’ recordings, each of which would then feature a rotating cast of friends and professional musicians.\u003cbr\u003e\u003cbr\u003e“The secret of everything we’ve done is that we never told anybody what to play,” Robert shares. “Instead of our albums being a musical vision of one person like me or Gabrielle, they were the musical vision of a whole bunch of people.”\u003cbr\u003e\u003cbr\u003eAt times the recordings have a Middle Eastern flair, at others, West African and spiritual jazz modes come to the fore. Hints of kosmische musik, proto-house and electronic ambience are laced like LSD through the organic rhythmic structures. This was kaleidoscopic ambient music to stir the body and free the mind.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn practice, the task of synthesising these different elements fell to Scott Ansell, Robert’s son and a recording engineer whose credits now include Nile Rogers, Duran Duran, Grace Jones. With meticulous attention to detail he captured and translated the dynamic energy of each drum onto record. Their sessions became legendary, and with access to the best studios in the NYC, The Mirrors sparkled.\u003cbr\u003e\u003cbr\u003eDespite being initially overlooked by the burgeoning ‘80s New Age market, which preferred pipes and gongs to The Mirrors’ heavy-grooving drums, Robert Ansell set up Raven Recording to self-release the music, creating a vast sonic archive of sixteen albums over almost forty years.\u003cbr\u003e\u003cbr\u003eThe breadth of Raven’s catalogue is such that curator Pol Valls had to cut an initial selection of sixty-six tracks down to the eleven featured here. What crystallises is a stunning, mind-altering collection which spans, in Pol’s words, “a variety of genres, styles, and vibes within their catalogue, whether it is emotional, esoteric, spiritual, melancholic, hypnotic, dark, or at times a combination of these elements together.”\u003cbr\u003e\u003cbr\u003eMusic for immersive and intimate environments, Gabrielle Roth \u0026amp; The Mirrors were born from the dance. In the hands of the right DJ, at the right time, in the right place, they might just return there.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eReleased March 5, 2021\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNight Whisper (Trance)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum, bata\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – asheiko, santa cruz bell\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRocky Bryant – drum head\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaniel Lauter – tenor sax\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGary Thomas – didjeridu\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eEliana (Totem)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – taos drum, kihembe, tone block, triangle\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – asheiko\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eManuel Martinez – tone box\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlex Blake – bass guitar, vocal\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJose Martinez - cymbals\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eNomad (Trance)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum, concert toms\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – jimbae\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGeoffrey Gordon – shaker\/pods, brass bowl, tamborim, background vocal\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSanga of the Valley – jimbae\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGary Thomas – didjeridu\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJai Uttal – dotar, lead vocal\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStefania’s Song (Still Chillin’)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – concert tom, misc. percussion\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJoe Bonadio – electronic drums\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSara Carlson – vocals\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAllison Cornell – viola, vocals\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHarvey Jones – synth\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRubin – Kodheli – cello\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSanga of the Valley – bongos, conga, dun-dun\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eSeducing Hades (Luna)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum, concert toms\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRocky Bryant – snare, tom\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDelmar Brown – synthesizer\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCharles Burnham – electric violin\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAllison Cornell – lead and background vocals\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDevin Emke – guitar\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHearn Gadbois – dumbek\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNicholas Naylor-Leyland – background vocal\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSanga of the Valley – mini jimbae\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eT.M. Stevens – warwick bass\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide C:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZone Unknown (Zone Unknown)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCarl Adami – synthesizer\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteve Dwire – drum program\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBob Een – cello\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHarvey Jones – synthesizer\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBenny Koonyevtsky – log drums\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSanga of the Valley – misc. percussion\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eSilver Desert Cafe (Tongues)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eCafé da Silva – conga, misc. percussion\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBob Een – cello\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDevin Emke – guitar\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYossi Fine – bass\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAmir Gwirtzman – zornafon, nay, arghul\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDavid Rosenberg – drums\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSanga of the Valley - jimbae\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eTotem (Totem)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – concert toms,\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – asheiko, jimbae, log drum\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eManuel Martinez – tone box, cowbell\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePaula Chan – bing flute\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGene Heimlich – bass harmonica\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJose Martinez – high hat, snare\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDancing Path: Chaos (Initiation)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – kabuki drum, taos drum, concert toms\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDelmar Brown – synth intro\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMichael D’Agostino – electronic drums\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYossi Fine – bass\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKihende O’Uhuru – shekere\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – jimbae, asheiko, cowbell\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSerpentine - vocal\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eLabyrynth (Luna)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGordy Ryan – jun-jun\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRocky Bryant – snare, high hat\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArthur Hull – kalimba, village congas\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKevin Ansell - baliphone\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJoy Plaisted – harp\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eShavasana (Still Chillin’)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRobert Ansell – pony drum, concert toms\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJoe Bonadio – electronic drums\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMorgan Doctor – drum loop, harmonica, thumb piano, misc. percussion\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLaur Fugere – vocals\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHarvey Jones – synth\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDassi Rosencrantz-Cabo – fretless bass\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53771349623121,"sku":"TIME010R","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a0708880142_10.jpg?v=1778692239"},{"product_id":"geinoh-yamashirogumi","title":"Geinoh Yamashirogumi - Ophony Rinne","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOne of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBefore Akira there was Ecophony Rinne. Originally released in 1986, Ecophony Rinne is a four-part symphony of “ecological music” by Geinoh Yamashirogumi that married ancient tradition with technological innovation, and changed the way we listen to music in the process.\u003cbr\u003e\u003cbr\u003eHalf-speed mastered at Abbey Road by Miles Showell, Time Capsule’s high-tech analogue reissue is the first to reproduce composer Ōhashi’s ground-breaking “Hypersonic Effect” theory on vinyl, cutting frequencies beyond the realm of human hearing into wax to capture the full spectrum emotional impact of this extraordinary work.\u003cbr\u003e\u003cbr\u003eFounded by genius polymath Tsutomu Ōhashi aka Shoji Yamashiro, Geinoh Yamashirogumi is a shapeshifting collective of over a hundred members from across disciplines. Rejecting\u003cspan class=\"bcTruncateMore\"\u003e professional musicianship, Ōhashi cultivated an ethos where neuroscientists, psychologists, doctors, journalists, engineers and students could critique society through artistic expression and pursue their research in ethnomusicological performances that spanned global traditions, Eastern spirituality and Western classical form.\u003cbr\u003e\u003cbr\u003eEcophony Rinne represents the pinnacle of this vision - an expansive orchestral suite made with over 200 musicians that channeled Ōhashi’s thinking about mankind’s relationship with nature, and fundamental questions of life, death and rebirth.\u003cbr\u003e\u003cbr\u003eHere pipe organ synths made from sampled Tibetan horns sit alongside field recordings from Central African forests, Buddhist mantras circle dummy head microphones, Javanese Jegog percussion ensembles pulse like verdant ecosystems, and the acoustics of temples, caves and landscapes are conveyed in the mix. Weaving together culture, nature and technology, it is a record that vibrates with the polyphony of life on Earth.\u003cbr\u003e\u003cbr\u003eBut Ecophony Rinne was not only musically innovative. Noticing the difference between vinyl and CD versions of the album where digital reproduction limited the sound, Ōhashi developed a theory of “Hypersonic Effect”, determining that ultra-high frequencies above 20khz can impact human perception even if they are inaudible. At once a physical and a psychological experience, to listen to Ecophony Rinne is to feel music differently.\u003cbr\u003e\u003cbr\u003eThe rest is history. After its release, Ōhashi was approached by director Katsuhiro Ōtomo to produce the soundtrack for Akira, the work for which Geinoh Yamashirogumi is best known. Emerging from the shadows at last, Ecophony Rinne was its transcendental blueprint, reissued in its most complete hypersonic form on vinyl for the first time.\u003cbr\u003e\u003cbr\u003eRather than describe nature, Ecophony Rinne embodied it. Rather than reflect culture, Ecophony Rinne defined it. Rather than explore technology, Ecophony Rinne changed it. As a work of art, it is more relevant than ever. You won’t have heard anything like it.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist: Geinoh Yamashirogumi\u003cbr\u003eTitle: Ecophony Rinne\u003cbr\u003eLabel: Time Capsule\u003cbr\u003eCat Num: TIME024\u003cbr\u003eRelease: 20th Feb 2026\u003cbr\u003eGenre: Electronic, Classical, Folk, World \u0026amp; Country\u003cbr\u003eStyle: New Age, Ambient, Tribal, Choral, Shomyo, Gamelan\u003cbr\u003eFormat: 12\" LP. World's first Hypersonic Effect Audio Enhanced \u0026amp; Half Speed Mastered vinyl, includes 12-page insert, Initial Press Limited Obi.\u003cbr\u003eLiner Notes: Anton Spice\u003cbr\u003eHalf Speed Mastered: Miles Showell (Abbey Road Studios)\u003cbr\u003eCurator: Rintaro Sekizuka (VDS) \u0026amp; Kay Suzuki\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Default Title","offer_id":53784926224721,"sku":"TIME024","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a0684238834_10.jpg?v=1778848928"},{"product_id":"space-ghost-heaven-sent-ft-teddy","title":"Space Ghost - Heaven Sent Ft. Teddy","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe uncanny duo of Sudi \"Space Ghost\" Wachspress on production and Teddy Bryant (Urbyne) on vocals, dropping their first single on PPU, successfully securing the catalog # PPU-101 \"Introduction to Grown and Sexy Music\". Ushering in the next 100 releases for Peoples Potential Unlimited.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased April 22, 2022\u003c\/div\u003e","brand":"Peoples Potential Unlimited","offers":[{"title":"Default Title","offer_id":53824242024785,"sku":"PPU 101","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a1391277166_10.jpg?v=1779309915"},{"product_id":"wilson-tanner-69","title":"Wilson Tanner - 69","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eWilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) assembled their prized debut over a shared love of seafood, wine and LPG. Recorded in a Perth backyard, these two new friends reached for the tools at hand and made the best of the fine weather. Instrument and implement combine in a languorous bricolage of synthesizer, clarinet and building materials - interrupted only by the occasional flutter of pigeon wings or a call to lunch. Back in print for the first time since 2017, Wilson Tanner hop into Efficient Space’s expanding pot.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 19, 2016\u003c\/div\u003e","brand":"Peoples Potential Unlimited","offers":[{"title":"Default Title","offer_id":53824266436945,"sku":"ES 019","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2861452365_10.jpg?v=1779310117"},{"product_id":"park-hye-jin-before-i-die","title":"Park Hye Jin - Before I Die","description":"\u003cp\u003eBefore I Die - Standard Edition, Baby Blue Vinyl\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e박혜진 Park Hye Jin announces her highly-anticipated debut album ‘Before I Die’, set for release on 10th September on Ninja Tune. The album—entirely written, produced and performed by the South Korean-born and now LA-based the producer, rapper, singer, and DJ—follows the release of her hugely successful ‘How can I’ EP and comes on the heels of a string of collaborations, working with the likes of Clams Casino \u0026amp; Take A Daytrip (“Y DON’T U”), Blood Orange (“CALL ME (Freestyle)”) and Nosaj Thing (“CLOUDS”), plus a remix from Galcher Lustwerk (“Can you”).\u003cbr\u003e\u003cbr\u003eAvailable now is lead single and opening track ‘Let’s Sing Let’s Dance’, a wistful dance track that places Hye Jin’s mantra-like vocals over piano keys and rumbling bass. Elsewhere on the record she continues to expand her sonic palette, drawing on a range of influences that take in electronic, rap\/hip-hop and downtempo sensibilities to present the most complete vision yet of her sound.\u003cbr\u003e\u003cbr\u003e‘Before I Die’ is set for release on 10th September on Ninja Tune, with Hye Jin also heading out on a run of North American tour dates later this year which includes a co-headline show at Elsewhere with Shlohmo, 1015 Folsom in San Francisco, III Points Festival in Miami\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand more.\u003cbr\u003e\u003cbr\u003eHer debut album follows an incredible few years for the young artist, with a string of releases that have seen her garner strong support from the likes of Rolling Stone, Pitchfork, Jezebel, FADER, DAZED, i-D, E!, Resident Advisor, Exclaim!, Hypebeast and many more. She was additionally featured in numerous ‘Best Of 2020’ lists from Billboard, The Guardian, NYLON and others, included in the NME 100 list of ‘Essential emerging artists for 2021’ \u0026amp; V Mag's 'Generation V’ series, and highlighted by British GQ and Stereogum as ‘One to Watch’. The EP’s lead single, ’Like this’—hailed by Mixmag as one of the “best tracks of 2020” and featured on the FIFA 2021 soundtrack—was supported across BBC Radio 1 and 6 Music (where it was playlisted for multiple weeks) with plays from Annie Mac, Clara Amfo, Lauren Laverne, Phil Taggart and many more. In the US the track was #1 of ‘Top Electronic’ in the NACC Charts (North American College and Community Radio), and in the ‘Top 200’ overall, with further support from KEXP, KCRW, SiriusXMU and more.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased September 10, 2021\u003c\/div\u003e","brand":"Ninja Tune","offers":[{"title":"Default Title","offer_id":53832041431377,"sku":"ZEN 277","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2662487073_10.jpg?v=1779382878"},{"product_id":"sweetnesslaurent-bardainne-tigre-d-eau","title":"Laurent Bardainne \u0026 Tigre d'Eau Douce - Hymne Au Soleil","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll compositions by Laurent Bardainne\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLyrics by Bertrand Belin on \"Oiseau\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLyrics by Célia Wa on \"Jou An Nou Rivé\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLaurent Bardainne • Ténor sax, synthétiseur\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArnaud Roulin • Orgue Hammond, synthétiseur\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSylvain Daniel • Basse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ephilippe Gleizes • Batterie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoger Raspail • Percussions\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded at ICP Studio Bruxelles (April 2021)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixing by Fredéric Soulard à Studio Méchant\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering by Chab\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChoeurs :\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eLisa Spada\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnnaelle Solet\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eLéonore Bardainne Dherbeys plays synthétiseur on Oiseau and sings on Verte Gronouille\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRemerciements:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAgnes Dherbeys\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eReleased January 28, 2022\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenly Sweetness","offers":[{"title":"Default Title","offer_id":53832085668177,"sku":"HS227VL","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a3199334539_10.jpg?v=1779383226"},{"product_id":"jameszoo-blind","title":"Jameszoo - Blind","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eJameszoo (Mitchel van Dinther) returns to Brainfeeder with a new album – “Blind” – embarking on further adventures on the fringes of jazz and electronica. Imbued with the same spirit of adventure and experimental outlook as his previous work on the label, the recordings were shaped by van Dinther’s studio sessions at Willem Twee Studios – the specialist analogue studio in Den Bosch (Netherlands) with an unrivalled collection of vintage synthesizers – amongst other locations.\u003cbr\u003e\u003cbr\u003e“In music and other arts there is a heavy emphasis on the artist,” says Mitchel. “Which composer, which soloist, which performer and the shifting emphasis between them all colours what we hear. Is it possible to create something that bypasses this? A project that forces active objective listening?”\u003cbr\u003e\u003cbr\u003eThese were the questions that Mitchel was pondering as he embarked on making “Blind”. Was he successful in his endeavour? “I didn’t even come close to be completely honest,” he laughs. “But all these (sometimes silly) attempts became the backbone for this new album.”\u003cbr\u003e\u003cbr\u003eMitchel started by trying to bypass himself as the protagonist, beginning by remotely recording musicians and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollaborators reshaping his initial ideas and concepts, step by step morphing the music as if repainting a portrait again and again. “I tried to stop force-feeding my own preconceived notions of what music should sound like. Instead I would politely impose new ideas to the compositions, crossing fingers it wouldn't reject these ideas like a failed organ transplant. Then something special started to happen, where the music seemed to grow almost self aware. I really enjoyed this process of letting loose and actively listening!”\u003cbr\u003e\u003cbr\u003eFascinated by the idea of a non-existent soloist, Mitchel recorded all sorts of motorised instruments to attempt to embody this idea. For example, the Disklavier (motorised piano) which allowed for precision and the execution of passages unplayable by the human hand. “It really helped me aesthetically detach from the human aspect,” he says. “The Disklavier started to embody the music’s characteristics.”\u003cbr\u003e\u003cbr\u003e“Blind” exists as an album and a short film directed by Sven Bresser and Mitchel van Dinther himself. The film stemmed from conversations that Mitchel had with the fantastic performer Saïd Gharbi who is blind and who was kind enough to share his experiences on translating his senses to something he can only partly experience himself. “We talked about his process of exploring and engaging with his other senses after losing his sight,” explains Mitchel. “Through these conversations we decided on making a short movie together to accompany the album, portraying Saïd’s and my own experience of this music and our senses.”\u003cbr\u003e\u003cbr\u003eFinally, in an ultimate attempt to transform into music itself Mitchel asked the cult Chilean-French filmmaker and artist Alejandro Jodorowsky the question: ‘how do I shape-shift?’, with Alejandro answering the question via a recorded tarot reading. “He had no more than a few minor details about me and was guided by his cards to formulate his response, which was a dazzling 14 minute long answer where I felt like he could see me and my world without me physically being anywhere near him,” says Mitchel smiling.\u003cbr\u003e\u003cbr\u003eSupported by a cast of exceptionally talented friends on “Blind” who share van Dinther’s passion for improvisation and invention, Mitchel once agains links with his long term writing partner and keyboard whizz Niels Broos, Swedish bassist Petter Eldh and drummers Richard Spaven and Julian Sartorius, all of whom contributed to van Dinther’s debut album “Fool” (2016). Violinist Diamanda La Berge Dramm, pianist\/organist Kit Downes (ECM), visionary trumpeter Peter Evans, trailblazing British saxophonist Evan Parker (a pivotal figure in the European free jazz movement), drummer Christian Lillinger, Brainfeeder label mate Oliver Johnson (Dorian Concept), saxophonist John Dikeman and the acclaimed sound explorer Matthew Bourne also contribute.\u003cbr\u003e\u003cbr\u003eJameszoo released his debut album “Fool” in 2016. A curious, at times downright awkward, but thoroughly enjoyable blend of jazz and off kilter electronics, the record featured cameos from two outright legends: Brazilian composer Arthur Verocai and pianist Steve Kuhn; in addition to virtuoso bassist Thundercat. van Dinther was rewarded for his bold, adventurous attitude in the studio by Gilles Peterson who bestowed upon him the “John Peel Play More Jazz” Award at the Worldwide Awards 2017.\u003cbr\u003e\u003cbr\u003eIn 2017 Jameszoo opened Amsterdam Dance Event with a very special collaboration with Jules Buckley and the Grammy-Award winning Metropole Orkest at the iconic Melkweg concert hall. The magic and the chemistry in the room that evening was both exhilarating and heartwarming as Buckley – Chief Conductor of the Metropole Orkest since 2013 – led the 49-piece orchestra and the Jameszoo Quintet on a truly joyful journey, elevating compositions from van Dinther’s 2016 album “Fool” to transcendental realms. The recordings of this momentous collaboration were released via Brainfeeder on 17 May 2019.\u003cbr\u003e\u003cbr\u003e“Blind” will be released on 11th March 2022 on black vinyl LP with braille emboss detail on the sleeve. A strictly limited edition tarot deck (with album download) is also exclusively available via Bandcamp\/Brainfeeder. The artwork for the project is by the celebrated Dutch artist Philip Akkerman, a dear friend of van Dinther.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased March 11, 2022\u003c\/div\u003e","brand":"Brainfeeder","offers":[{"title":"Default Title","offer_id":53832128135505,"sku":"BF 111","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a1006538185_10.jpg?v=1779383494"},{"product_id":"the-igg-band-ultra-sound","title":"The Igg Band - Ultra\/Sound","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eKalita are excited to announce the first ever reissue of student medical group the IgG Band’s highly sought-after 1980 soul, funk and disco grail ‘Ultra\/Sound’. Originally privately released in a small run on bandmember Clifford Becker’s Infusion Records imprint, the album has since become a treasured prize of but a handful of diehard collectors and DJs as a result of both its scarcity and quality. Now, in partnership with the band, Kalita shine a light on the album for the first time in over forty years, accompanied by never-before-seen archival photos and extensive interview-based liner notes.\u003cbr\u003e\u003cbr\u003eFormed in March 1979 out of a young group of musically talented students at Meharry Medical College, Nashville, Tennessee, the IgG Band was, as leader Clifford Becker recalls, first created ‘to play music to please ourselves and friends, and as an outlet to the ever pending and growing pressure of our medical education’. However, by 1980 the IgG Band had developed enough original material that they were ready to put their music to wax, and ‘Ultra\/Sound’ was recorded at Hilltop Recording Studios in Nashville, with each band member contributing their part separately when their busy medical schedules allowed.\u003cbr\u003e\u003cbr\u003eEach song on the record was notably written mostly by\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eonly one band member – ‘IgG Theme’, ‘I Still Want You’ and ‘Daydreaming’ by Kendal Foster, ‘Another Love Gone’ and ‘When I Think of You’ by Solomon Pollard, ‘Funky Music’ by Murray Riggins and ‘Infusion’ by Kermit White. As Murray explains, ‘initially every band member had the opportunity to contribute original songs and from there we collaborated to make each song better’.\u003cbr\u003e\u003cbr\u003eThe record was released at the close of 1980, manufactured and distributed by the band themselves. The album was a local success, and the band sold out within a short space of time, with most copies sold to family, friends and Meharry College students. However, at the end of their studies at Meharry the band went their separate ways. Their educational qualifications required that they partake in internships, and these were at different hospitals in different states. As Murray divulges, ‘each of us chose our own path and to live our own separate lives. We have stayed in contact periodically over the years, but we have never been able to get together and play music because of our medical practice time constraints’. We hope therefore that this much-needed re-release of ‘Ultra\/Sound’ helps to keep the IgG Band’s musical legacy alive and showcases their musical quality to the world once again.\u003cbr\u003e\u003cbr\u003ePublished by Kalita Music Publishing\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eR\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eeleased April 1, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kalita Music","offers":[{"title":"Default Title","offer_id":53832137507153,"sku":"KALITALP 008","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a2888611790_10.jpg?v=1779383748"},{"product_id":"tom-carruthers-non-stop-rhythms-repress","title":"Tom Carruthers - Non Stop Rhythms (Repress)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eBlinding double pack of heavily old school influenced bleep, direct from the depths of England by prolific young producer, Tom Carruthers. These are heavily sample based mpc productions that harken to the carefree days when the pills were pure and the music was fresh and never stopped. When house was techno and techno was house, this long player takes the best elements from say Chill Records, early-Warp and the best Nu-Groove creating timeless dance tracks made for the warehouse dj. Essential stuff here.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased December 3, 2021\u003cbr\u003e\n\u003c\/div\u003e","brand":"L.I.E.S. Records","offers":[{"title":"Default Title","offer_id":53833423749457,"sku":"LIES-176","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a1113238949_10.jpg?v=1779394873"},{"product_id":"full-efx-headrush-ft-anthony-parasole","title":"Full EFX - Headrush Ft. Anthony Parasole","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTurning a new chapter with a new alias, techno stalwart Anthony Parasole delivers his FULL EFX project. The New York City artist known for his work on OsGut Ton, Dekmantel, and his own imprint The Corner, now makes his debut on L.I.E.S. Records.\u003cbr\u003e\u003cbr\u003eWhile the backbone of this project is rooted in the structural ideas of traditional techno, we now hear Parasole expand on his past sound in a refined manner with acute attention to detail throughout these new productions. Most notably is the repeated use of processed \"vocals\" on the recording which serves a psychedelic element that drives many of the tracks with haunting results. Tempos push and pull from lightspeed 140 bpm club cuts to 89 bpm pseudo-dancehall to the broken beat closer \"Scared to Death\" with its chopped vocal, sizzling percussions and industrial crunch, all tracks taking their own persona.\u003cbr\u003e\u003cbr\u003eWith FULL EFX, Parasole expertly puts forth an lp that brings together and transforms the many sounds of modern electronic music in a unique and laser focused fashion with his new vision.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased November 4, 2022\u003c\/div\u003e\n\u003c\/div\u003e","brand":"L.I.E.S. Records","offers":[{"title":"Default Title","offer_id":53833429418321,"sku":"LIES-193","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0433\/9574\/3906\/files\/a0831266982_10.jpg?v=1779395057"}],"url":"https:\/\/very-special.com\/collections\/records.oembed?page=5","provider":"VERY SPECIAL","version":"1.0","type":"link"}