The impression of a visual impression of the photographs of the actual photographs of the 1960s/70s produced in part by the press of the magazine's information about the reference of the époque. The series confronting the commercial iconography in the cell of the reports proposes a reflection on the duplicity of the photographic practice and the influence of the publicity on our collective imagination.

During the history of French television and the monopole d'état (the rest of the period since 1982) and the radio and the press of the dominant media font office, the press of the apparatus for beaucoup of the photographers-reporters is one of the consécrations professionnelle en proposant des publications en grand format et en couleurs. The press paper is used to publish the announcements using the large format and the publication of reports for publicity purposes.

Associating the images of violent conflicts with non-violent cells in front of the products and consumer practices, augmenting the mood of the ambiguous nature of the photographic environment: the idea of the photographic object of the photographer and the profit of the author's reconnaissance. presence grandissante des clichés publicitaires modèle patiemment les lecteurs en futurs consommateurs. In a schizophrène environment, the history of major geopolitical episodes (décolonisation, guerre du Vietnam, Mai 68, Printemps de Prague, etc.) continues with the promotion of the DS, the electric current and the aspirator, and the visible political directions are confondent à ceux des stars de cinema. The frontier is based on information and communication and the history of the information is not part of the development process, but it is not difficult to keep track of the history and promotion of the story.

And by interpreting the séduction visuelle d'une époque révolue, you are guided by the amalgamation visuals to suggest the idea of your encore, the history of the editing process. Puzzle semiotic, the series is written - in the manner of the pretres grecs et romains - comme un jeu d'interprétation de signes et symboles extraits des entrailles de la presse.

• Author: Rodrigue de Ferluc
  
• Graphism: Rodrigue de Ferluc
  
• Size: 240x330mm
  
• Nombre de Page: 168
  
• Impression Offset Quadri
  
• Paper Munken Pure Rough 150gr
  
• Typography : Baste (Image Format) (Lift Type)